| About the Playwright:
Kate Hamill is an actor/playwright. Wall Street Journal’s Playwright of the Year, 2017. Her work includes her play SENSE AND SENSIBILITY (in which she originated the role of Marianne)—Winner, Off-Broadway Alliance Award 2016; Nominee, Drama League Award; 265+ performances off-Broadway. Other plays include VANITY FAIR at the Pearl Theatre (in which she originated the role of Becky Sharp; Nominee, Off-Broadway Alliance Award 2017), PRIDE AND PREJUDICE at Primary Stages and Hudson Valley Shakespeare Festival (originated the role of Lizzy Bennet; Nominee, Off-Broadway Alliance Award). Her plays have been produced off-Broadway, at A.R.T., Oregon Shakespeare Festival, the Guthrie, Seattle Rep, Dallas Theater Center, PlayMaker’s Rep, Folger Theatre (8 Helen Hayes Award nominations; Winner, best production—S&S), Arvada Center and others; upcoming productions at Shakespeare Theatre of DC, A.C.T., Trinity Rep, Portland Center Stage, Syracuse Stage, Pittsburgh Public, Kansas City Rep, Dorset Theatre Festival and more. Upcoming world premieres: LITTLE WOMEN at the Jungle Theater and Primary Stages; MANSFIELD PARK at Northlight Theatre. She is currently working on new adaptations of “The Odyssey” and “The Scarlet Letter,” as well as several new original plays (PROSTITUTE PLAY, IN THE MINES, LOVE POEM). Kate was one of the top 20 most-produced playwrights in the country this season. http://www.kate-hamill.com
The New York times called Hamill’s SENSE AND SENSIBILITY “…an unconditional delight…invigorating…a bouncy, jaunty take on Austen…remains remarkably true to the values and priorities of its source. The classic Austen preoccupations with real estate, income, class, reputation and equilibrium in life are all rendered brightly and legibly here” and the Wall Street Journal wrote “…so full of galloping comic vitality as to suggest a bunch of stupendously clever kids playing dress-up in the nursery. It’s by far the smartest Jane Austen adaptation to come along since Amy Heckerling’s Clueless, and at least as much fun.” The Huffington Post called the play “Perhaps the greatest stage adaptation of this novel in history.” Time Out New York called the play “…rowdy, exuberant…thoroughly modern yet not at all contemporized. Kate Hamill’s felicitous adaptation gives us ageless emotions, couched in the mores and locutions of the past, yet timeless in their arduously suppressed intensity.” —Time Out NY |